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Seminar: 19 October 2000
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One in a series of Sarum Research Group meetings:
part of the Sarum study group on gothic cathedrals
and related topics.
Kerry McCarthy: Reform and revolution in Tudor church music
Here are some recommended CDs of Tudor church music (going more or less in
chronological order, as the Sarum Seminar lecture did). <krm @ stanford.edu>
I. Status quo around the turn of the 16th century
- John Taverner: Missa Gloria tibi Trinitas
Tallis Scholars (Peter Phillips)
Gimell
- Music from the Eton Choirbook, vols. 1-5
The Sixteen (Harry Christophers)
Hyperion
High-gothic splendor and detail -- visualize the roof vaulting of King's
College Chapel translated into music.
II. The new aesthetic of the Reformation
- Thomas Tallis: The complete English anthems
Tallis Scholars (Peter Phillips)
Gimell
Understated elegance, and some of the best melodies in the whole English
repertoire, including the source of Vaughan Williams' 'Fantasia on a theme
of Tallis.'
III. Return to traditional extravagance during the 1550s
- Music of John Sheppard, vols. 1-3
The Sixteen (Harry Christophers)
Collins Classics
- William Mundy: Vox patris caelestis
Tallis Scholars (Peter Phillips)
Gimell
Wonderful and often strange music. The Mundy is on an album (originally
released as an LP in 1980, and still one of the best TS recordings) along
with the better-known Allegri Miserere and a mass by Palestrina. This
obscure twenty-minute B side is more than worth the price of the record.
IV. The survival of Latin music in the later sixteenth century
- The caged Byrd
I Fagiolini (Robert Hollingworth)
Chandos
- William Byrd: Gradualia
William Byrd Choir (Gavin Turner)
Hyperion
The Fagiolini album, by a young group from Oxford, includes motets,
harpsichord pieces, and some great English songs. Byrd's
Gradualia is a
collection of music for the (now quite illegal) Catholic mass, in a
beautiful, concentrated style that was hammered out by adversity.
All these albums should be available through amazon.com or at a good
record shop. If you have questions about any other recording of English
renaissance music, please e-mail me at krm @ stanford.edu; I may have run
across it, and would be glad to give advice.
Happy listening!
Kerry
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